remastered re-issue on 180 gram vinyl.

sebastian fiegen rolls out his debut solo release for cadenza records this spring, with a trio of excellent house cuts on the theofidelity ep. the german producer has been crafting quality productions for some time now under aliases and collaborations, and its on lucianos label where he makes his mark as a solo artist. dopeman opens the ep with a rolling chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. fiegen keeps up the pace with anando, more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes. closing the ep is th01, again coming correct with the feel good factor with its use of the looped sample and lazy, hypnotizing drums. a cracking debut production from fiegen, and a well rounded release for cadenza.

siren sind darshan jesrani (metro area, startree) und dennis kane (disques sinthomme, ghost town). ihre erste recording sessions fingen im winter 2013 an, aber die anfänge ihrer zusammenarbeit reichen zurück zu ihren gemeinsamen residencies im berühmten new yorker hot-spot apt und anderen parties, die sie organisierten. nach dem mitreißendem und euphorischen a/way mit mr. reed, im herbst 15 veröffentlicht, klingt ihre dritte maxi paradise sowohl eindringlich, als auch recht kolossal und treibend. paradise kommt mit einem zugleich fesselnden, düsteren und mechanischen late-night techno dub von gavin russom (black meteoric star, dfa), und als digital bonus bekommt die maxi eine hagere, futuristische, drum machine-geleitete 5-uhr-morgens-in-new york-mäßige reinterpretation von siren.

it’s been some time since the last black jukebox edition came out. this time shir khan hits us with the 14th edition featuring onsra & bas roos. secret parisian project onsra came out of nowwhere with his debut track funky town‘ which was the best selling track on exploited last year - topping tons of charts. support did come from various djs such as disclosure, danny krivit, laurent garnier, dj sneak, luke solomon, adriatique, terranova, ardalan, ben pearce, friendly fires, xxxxy, miguel campbell, jaques renault, rainer trueby, dj t to mention a few. now he is back with 2 new joints - so good is a 112bpm loopbased disco house jam which reminds a bit of old soundstream records. other day is a real boogie joint. bas roos on the flip is a newbie and youngster from rotterdam with a fresh residency at toffler club keeping things smooth and mellow with searchin’ and don’t let go the disco limited collector s vinyl only. cop that before it sells out.

a mineral love- ist ein facettenreiches album mit einflüssen der späten 60er bis hin zur gegenwart, das dabei jedoch immer den unverkennbaren klangcharakter bibios beibehält. das werk ist ein ausdruck von vielfalt, einem elementaren bedürfnis des britischen produzenten, der wohlüberlegt und sorgfältig die unterschiedlichsten tracks nebeneinander platziert. dabei verzichtet er komplett auf samples und spielt jedes detail selbst ein. zusätzlich geben der belgisch australische singer/songwriter gotye und der haitianisch-kameruner us-sänger olivier st. louis zwei vocalfeatures, während der brite rob lee aka wax stag den track gasolines & mirrors co-produziert, auf dem bibio singt.

300 copies: hand-stamped black labels/black sleeves/screen printed black jackets
|| 12 tracks||12 artists||mostly philly people||a couple of out-of-town friends/collaborators||most are artists who have previously released music on the label

this first compilation from copenhagen label pattern abuse is an eclectic collection of some of denmark’s finest artists from all around the musical spectrum. quirky electronica, retro techno, future garage, post punk and more: at first glance the nine tracks on this relase seem an odd blend. but played together, a common thread of dark and dusty sound appears, showcasing pattern abuse as a label that is sure to deliver unexpected and high quality sounds.

padez is a producer from a town near mannheim which meant growing up fully submersed into the vibrant electronic music movement of mannheim and frankfurt area, but his influences grow roots deeper into the golden age of hip-hop, as well as jazz, soul, funk etc… he started producing in 2009, sharing music just in between a circle of friends, and it was not until 2013 that he had his first digital release out on basti grub’s hoehenregler records. in the meantime he took the chance to dive deeper into the sound with his friends sedee. releases on valioso recordings and medeia records among others can be expected as a result of this collaboration. the love reloaded ep on kanzyanis jesus loved you label is his first vinyl release and a homage to the music he is essentially influenced by. the ep features 3 intrinsically groovy tracks, permeated with heavy baselines and driven by upbeat, slightly broken rhythm patterns, oozing a sublime soulful vibe at the same time. truly a dance-floor delight!

second release for patrick gibin aka twice and his ‘collective blends’ project which includes musicians from his home town verona - italy : for this release the collective invited special guest clara hill on vocals. the raw hypnotic moog bassline together with the brazilian influenced hi-hats and rhythms of the title track “time goes by” build a solid atmospheric groove elevated by clara hills’ vocals, that give the track that unique soulful swing. on the flip, volcov’s spaced out dub version of “time goes by” is as deep as it gets and the third track, phanareega, keeps the energy high with its combination of live acoustic/electronic drums, sharp bassline and anthem strings.

2016 repress, without artwork cover
the town of sligo might not mean a whole lot to you, but after this release, youll know that it has brought forth 2 of the funkiest irish guys youve ever seen. their release on heist comes after their chart topping release on their own label splendor & squalor, its is filled with jazzy chords, lovely loose percussion and well found soul samples. parish rumors will fill your peak time needs, ghetto and hotshot have a nice low-slung vibe and come with enough low end and swing to get even the stiffest of hips swinging.

nice authentic deep house!

new 303 tools by pw.
mpc beats versus tb303 -- editing live -- dj shit

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

das debütalbum the ashen tang von royce wood junior erschien bereits am 19.06.2015, doch nun legt der londoner produzent, songwriter und multiinstrumentalist mit einer deluxe version seines albums nach. am 29.01.2016 erscheint the ashen tang in einer neuen version via 37 adventures, die drei neue tracks enthalten wird: ophelia, love is a lonely town- und dont wanna lose you. funk, soul, r&b und pop eine mischung, die royce wood junior gekonnt auf seinem album zu verbinden weiß.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

a classic house track gets a re-release and an extra special edit from bass culture owner d julz. the edit of chicago groover * dont let love pass you by* from master c & j has been a staple of d julz sets for quite some time now. over time more and more people have asked about the track and he duly responded to demand by not only clearing his rework for release, but also signing up the original to be reissued via his label. so we have the original version, which oozes chi-town sleaze, remastered for 2016 together with the superb edit by the man himself, d’julz. need we say anymore?

three impeccable pieces of stripped down, unfeigned tanz trax make out the debut release of esther silex – deejay extraordinaire, colognian woman-about-town and very dear new addition to the studio barnhus family. the gargantuan yet free-flowing bassline of hans, the menacing tension of heinrich and the dawntime anthem oskar are all testaments to esthers unquestionable status as an impassioned powerhouse with enough west german swagger to create timeless music with equal parts simplicity and beauty.

new years deal - nao katafuchi says about himself that he s a japanese artist who makes electronic music with a guitar & a semi vintage synth box, creating his own world ofcold romantic wave.

la based dj/producer trent cantrelle is one of those rare artists who manages to have a foot planted in both the mainstream and underground camps of electronic music. whilst his music has topped the download charts on a variety of labels and he has rocked the main stages at global music festivals, he is also firmly at home rocking the secret warehouse parties of his adopted home town.

this is the very awaited debut of the canadian electronic darkwave solo act of jimmy anderson aka expect delays. a mini album of 5 tracks analogically remastered specially for vinyl. minimal synth melodies and ethereal compositions combined with technopop and soft ebm. imited to 300 copies with 350 gram sleeve (metallic ink impression) – transparent grey vinyl

new vinyl label from 19th-century health spa town in poland. debut release is from wroclaw duo - astro buhloone with 4004 (faces / quintessentials) & tanzlife (local talk / let s play house) remixes. vinyl only, limited copies. expect a mixture of organic beats, mixed with an interstellar groove and finished with a touch of a space dust. an outer space voyage for your mind, body and soul - let the astro travelling begin.

dead fader returns with his new album *glass underworld*. dead fader is the alter ego of john cohen - former brighton resident, now based in berlin - who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. *glass underworld* became a very personal exploration for john, developing further his emotionally tinged brand of techno which he established with the previous ep sun copter. furthermore, the film interstellar visually influenced the album, mapped as an image for cohens tracks to exist in. the vinyl release is limited to 300 copies and comes with download code included.

the 5th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists, 3 moody tracks full of deepness by rhythm&soul, label manager of slow town records, and on a mission records along with jef k … it comes with a remix of two diggers !

chi-town’s al & tone are back with “volume 6”. the “praise” side features “mad dash”, a groovin’ gospel tune with a funky bassline and sweet horn riffs, plus the spaced out “my soul”. the “rejoice” side has the killer cut “u”, a sweet modern soul jam along with “worship” a sick lo-fi cut.

the 1964 marvin gaye album back on 180 gram vinyl with download code included.

mit den zwölf besten tunes aus den jahren 1980 bis 1985, die der sänger (bürgerlich: errol osbourne) für king jammy eingespiellt hat, ausgesucht und zusammengestellt von dem jammys experten johnny wonder! als musiker fungieren die high times band, die roots radics, steely & clevie, noel davey und mafia & fluxy. als toningenieure waren bobby digital, king jammy, squeengine francis, beckett und soldgie hamilton am start. johnny osbourne war mitglied des legendären vokal-trio the sensations und wurde als solist zum studio one veteran und dancehall-reggae star, dessen stimme bei aufnahmen von den beastie boys, major lazer, u.v.a. gefeatured wurde.

2015 re-release on vinyl - 3x12 inch lp includes cd. part of the 10 years because edition.
extremely well made and forward thinking new wave, electro, downtempo, hip hop, funk, compilation from 2006 (!!), long deleted and now available again in beautiful reedition + cd. featuring ranimators, master killa, the juan maclean, esg , justice etc…!

wavereform continues to shape out its identity as a guiding light for cutting edge techno coming from less explored corners of europe. after jüras lietus seismic starp 12inch, the berlin-based label returns with a powerful single from finnish newcomer laiva. hailing from the eastern town of kuhmo, laiva was inspired to start producing his own music after finlands leading alternative radio station mafia ceased broadcasting in 2003. after spending years refining his craft, wavereform proudly presents the first evidence of this thrilling new entity on the scandinavian electronic music scene.

frank sinatras 1967 album *the world we knew* newly remastered and pressed on 180 gram vinyl. download code included.

the sleepy seaside town of sligo, based on ireland s atlantic coast, seems an unlikely location to base a deep house label. more remarkably, this debut 12- from sligo-based splendor & squalor comes from two residents of the town: longtime dj buddies and hip-hop/deep house fusionists brame and hamo. it s a strong first outing, with each of the three original cuts coming doused in smooth soul and hip-hop influences. that s means beats that swing, sensual strings, chunky bass and the kind of pads that seem to wrap themselves around your body. the duo s collaborative clockwork arguably the pick of the bunch - is also remixed by session victim (think ultra-deep goodness), while hamo s sample-heavy soul offers the perfect balance between smiling deep house and classic hip-ho

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

repress 2015 - those notorious victims of session return to what we like to think of as their spiritual home, if not their physical one, with the brilliant glow in the dark ep, and if you thought solomun and his neon nights were the only day-glow players in town its time to think again as the sv boys slap on the luminous paint and head straight to the dancefloor.

siren sind darshan jesrani (metro area, startree) und dennis kane (disques sinthomme, ghost town). sirens erste ernsten recording sessions fingen im winter 2013 an, aber die anfänge ihrer zusammenarbeit reichen weiter zurück bis zu ihren gemeinsamen residencies im berühmten new yorker hot-spot apt und anderen parties, die sie organisierten. events mit namen wie camille 3000, adult section und strobe lodge wurden liebevoll gestaltet, mit gewagt romantischen grafiken und einem prägnanten spezifischen statement, dass kultiviertheit und sünde stets zusammen gehören konnte und immer sollte. sirens erste maxi * gauntlet* ist ein unbändiger und satter song, der alles von heavy disco, über westafrikanische gitarren, soundtracks und filmmusik, bis adrian belew mit einbezieht. veröffenlicht auf compost im herbst 2014, wurde sie sowohl von top-djs, als auch von der presse gefeiert. ihre zweite single * a/way* mit mr. reed bildet nun einen stolzen und kühnen kontrast zur ersten 12 inch. ein sonniger, luftiger trip, ein triumphsong für einen ungehemmten, selbstbewussten lebensstil. geerdet durch eine markante aber eingängige bassline, die an norman whitfield erinnert, und verziert mit bläser-parts, die einen hauch von burt bacharach mitbringen, wird der song von einem zügellosen, fröhlichen gitarren-groove angetrieben, der den spirit vom aufgeweckten rock & roll der späten 60s & 70s in sich birgt. die sich erhebende, klagende stimme von mr. reed schnürt alles zu einem glorreichen, bittersüßen paket, welches direkt für das herz bestimmt ist.

for it’s 16th (!!!) release, dixon avenue basement jams continues to bolster it’s local infantry with fresh, new blood, this time with the addition of a young but well-seasoned individual hailing from the hinterland of greater glasgow and going by the name of big miz. if you happen to live within an 8 mile radius of a blue lagoon, the chances are you will have already been acquainted with the bold miz, most likely through the longstanding and legendary clubnight/crew he’s a resident & founding member of: offbeat. the length & breadth of offbeat’s tastes also reflects his flexibility as a producer. tracks presented here, such as “good thing” strike a fine balance between good ol’ motor city funk and chi-town oddities such as vincent floyd’s more obscure cuts on d.m, while the velocity increasing “solange” comes like the result of a three-day theo studio session fuelled by bad speed. his talent for catering to the dance has clearly paid dividends when it comes to his productions, with the nuance and instinctive touch he presents us with on his debut dabj 12” clearly marking him from the start line as an already formidable & stand-out force in the heady and increasingly cramped world of house & techno.

das limitierte doppel-vinyl enthält 32 kultklassiker aus der rock n roll-Ära, die von der new yorker punk band the cramps gecovert wurden. die zusammenstellung stammt von rock n roll-fachmann lucky parker, der mit hilfe der plattensammlung der the cramps masterminds lux interior und poison ivy die wurzeln der band aufzeigt.

pater noster unleash their first 12- and what a beast it is! overdriven hardware excursions sprinkled with a dose of distortion and red lining their way to completion. an incredibly mature first release composed of five tracks from separate artists, all seamlessly channeling the same curiously destructive vibe.

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

who is zoé zoe? its not a new french fashion designer. its not a new grill bar in your neighborhood either. and its not a newfound african tribe, nor a thailand made bio energy drink. its a lithuanian small town boy turned promising groom, turned taxi driver, turned techno producer, turned berlin inhabitant or the other way round. he could also be a man behind that secret weapon of your summer 2015 sets. hoy!

grandioser lp-sampler mit soul-raritäten der 1950 er und frühen 1960er jahre. r&b, popcorn, mod, northern soul. 14 killersongs featuring otis redding, big maybelle, j j jackson, slim harpo und otis blackwell.

large music continues to showcase the brilliant and creative work of early 90s artists black ice with a re-issue of one of the most sought after early chicago house releases- the union camp ep. originally released in 1993 on the historic night club records, large music has now licensed the tracks exclusively for a worldwide vinyl-only release. while all four tracks possess that classic raw chi-town soul vibe, it is track 1, men on drums, that has garnered the most attention. championed the last few years by respected berlin-based dj zip, many of the elite vinyl-only djs across the globe have sough out a clean copy of this very rare wax masterpiece.

nice price deal !!! what happens far away from pointless party spots, boring student clubs, werder bremen and the smelly station forecourt full of piss, in this beautiful, grey city next to the river? more than before, we checked the musical output of the town, listened to recordings from friends and dug the archive. back to the origin of our intention – having a platform for all the artists who surround us in our dynamic environment and structures. for the five year anniversary of zckr records: a journey through warehouses, rehearsal rooms, workshops and studios of people who create the art we appreciate and who let us look to the future with a great sense of enthusiasm.

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

billy meier, the third record in the untold stories protagonist ep series, is by suokas, and includes a remix by alka rex. the works stem from the remote town of petrozavodsk in russia, where the artist suokas lives a life of diligent focus. the album is dedicated to billy meier whose extensive writings and transcriptions document his contact with extraterrestrial beings, largely from a civilisation called plejaren located a fraction of a second shifted from our own dimension. his works are devoted to widening consciousness and challenge what we conventionally accept as true. similarly inspired, suokas says my music is about things that cannot be proven by conventional methods.

cpu records are honoured to welcome back the elusive automatic tasty, aka jonny dillon, from dublin, who delivers 4 tracks of trench coat acid / electro funk with at’s signature acid-tinged break beats woven throughout. the life parochial demonstrates jonny’s accomplished studio mastery, where you’ll find nods to mr fingers, luke vibert and metro area. but more importantly his own stamp of quality and musicality where each track is bursting with insatiable melodies that compel you to listen again.

originally a member of the california r&b group club nouveau, this was irving s crowning glory as a member on the chi-town house faternity. the song was written by dwayne willie wonka grant and remixed by frankie knuckles and is quite unlike most of the vocals that came out of the house scene, with a beautiful clarity to his voice.